Process Potential was my first solo exhibition, presented at Yorkshire Artspace, Exchange Place. The exhibition investigated the transformative nature of process, framing making itself as a site of experimentation and discovery. By bringing together painting, projection, drawing, and installation, I explored how different mediums collide, overlap, and inform one another, generating new languages of abstraction.

Large-scale wall works combined gestural mark-making, figurative fragments, text, and bold colour interventions, creating layered compositions that spoke to both instinct and intentionality. The performative act of painting — live, in the space — became central, allowing process to remain visible and open-ended rather than concealed in a polished final product. This openness invited viewers to consider art-making not as a static outcome but as an evolving dialogue between material, gesture, and environment.

Digital projections added a further dimension to the show, casting vibrant, shifting patterns across the gallery’s raw brick walls. This interplay between analogue and digital processes reflected the exhibition’s central idea: that potential lies in experimentation, in embracing unpredictability, and in allowing process itself to shape meaning.

At its heart, Process Potential was a celebration of curiosity, improvisation, and the willingness to push abstraction beyond traditional boundaries. It highlighted the richness that emerges when diverse methods — from spray paint to projection — are brought together, not for the sake of harmony, but to amplify the vitality of making.